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00:05.36 | Torhal | Parnic: Added. |
00:05.56 | quiescens | gives torhal a cookie |
00:11.38 | Stanzilla | Torhal: I was told you are going to make a post about all the fixes issues etc on wowace? |
00:13.12 | Torhal | No? |
00:13.36 | Torhal | Hell, I had to find out through Ressy, who found out from you, than ticket templates were back. |
00:13.48 | Torhal | that* |
00:16.19 | Gnarfoz | znf: trouble is I have neither the tools nor the space to do such work on my car myself |
00:16.58 | znf | I understand |
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01:13.15 | *** topic/#wowace is https://wowace.com/ | 7.1.x ToC: 70100 | https://wowace.com/paste/ | http://lua.org | This channel is logged, via purl |
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01:21.15 | quiescens | o.o |
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18:57.53 | znf | as I was saying about 3D only movies: http://i.imgur.com/kVi2X5k.png |
18:57.53 | znf | :-/ |
19:01.26 | znf | wish we had an IMAX down here :( |
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20:10.32 | Gnarfoz | real imax is practically nonexistant anyway |
20:10.48 | Gnarfoz | and digital imax is barely an improvement over regular 2K digital projection |
20:10.53 | Gnarfoz | or 4K, for that matter |
20:11.06 | Stanzilla | we have a real imax here |
20:11.11 | Stanzilla | was pretty impressive 10 years ago |
20:11.13 | Gnarfoz | no you don't |
20:11.13 | Stanzilla | now not so much |
20:11.28 | Gnarfoz | there's on in Berlin and one in Karlsruhe, that's it in Germany, AFAIK |
20:11.35 | Stanzilla | Gnarfoz: https://de.wikipedia.org/wiki/IMAX_M%C3%BCnchen |
20:11.47 | Gnarfoz | (and one in the Technikmuseum Sinsheim, but that's not a "cinema") |
20:11.49 | Stanzilla | get fucked |
20:12.05 | Gnarfoz | youj get fucked |
20:12.09 | Gnarfoz | read what you linked |
20:12.10 | Stanzilla | I wish |
20:12.13 | Gnarfoz | "2 2K digital projectors" |
20:12.14 | Stanzilla | yes it was closed |
20:12.15 | Gnarfoz | that's not IMAX |
20:12.39 | Gnarfoz | anyway, as I said, "real IMAX" is hard to find |
20:13.14 | Stanzilla | what is real imax tghen |
20:13.17 | Gnarfoz | http://www.lfexaminer.com/theaintl.htm |
20:13.24 | Gnarfoz | 70mm film projection? |
20:14.06 | Gnarfoz | heh, only the one in Speyer has it |
20:14.14 | Gnarfoz | although I'm not sure how "DL" (digital laser) competes |
20:14.17 | Fisker | You get fucked I can get my projections on huge comically oversized laser discs |
20:14.22 | Gnarfoz | http://www.lfexaminer.com/formats.htm |
20:14.24 | Fisker | That's much bigger than 70mm |
20:14.46 | Gnarfoz | 70mm? what is this, IMAX for ants? |
20:14.50 | Stanzilla | I wouldnt call that real imax then |
20:15.15 | Gnarfoz | yeah, 15/70 is "real IMAX", but... since most things are digital now, it barely exists, like I said |
20:15.38 | Stanzilla | anyway the IMAX we had was pretty real and cool 10 years ago |
20:18.14 | Gnarfoz | Dolby Vision/Dolby Cinema is probably the best shit now, but I have no idea if a cinema with that already exists somewhere |
20:18.43 | Gnarfoz | followed by 4K laser IMAX |
20:19.36 | Gnarfoz | supposedly, the one in Karlsruhe (which is close by) is 4K laser now? hm. they were 2K last I checked... |
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20:20.22 | Gnarfoz | hm yeah, they must have upgraded http://www.filmpalast.net/imaxr-kino.html |
20:21.23 | Gnarfoz | their "IMAX laser featurette" is like 360p... good job |
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20:36.15 | Gnarfoz | https://en.wikipedia.org/wiki/Foot-lambert US units |
20:36.19 | Gnarfoz | shakes head |
20:39.53 | nevcairiel | Gnarfoz: why does imax have to be analog film, couldnt they produce the same image from digital |
20:40.20 | Gnarfoz | 15/70 just has an incredible amount of resolution |
20:40.26 | Gnarfoz | it's 9 times as big as 35mm |
20:40.28 | Gnarfoz | (area) |
20:40.47 | nevcairiel | movies arent made in that high res =p |
20:40.56 | Gnarfoz | if it's analog IMAX, yes they are |
20:41.00 | Gnarfoz | that's the point? :P |
20:41.11 | nevcairiel | not if its a normal block buster movie |
20:41.21 | nevcairiel | if its some s pecial imax production maybe |
20:42.06 | Gnarfoz | considering how long it's been since IMAX wasn't just a gimmick used for parts of movies, I'm inclined to agree that it doesn't matter as much anymore today |
20:42.57 | nevcairiel | most things are filmed w ith 4k or 5k digital cameras |
20:43.00 | nevcairiel | these days |
20:43.03 | Gnarfoz | and I doubt most movie-goers would care if it's "IMAX 4K laser" they're watching or regular 4K |
20:43.23 | Gnarfoz | add to that that most DCI movies are delivered as 2K... it almost becomes pointless to talk about it :D |
20:44.09 | Gnarfoz | it's probably going to be a while until most movies have a full 4K production chain |
20:44.34 | nevcairiel | many do, although the medium to low budget ones of course dont |
20:44.55 | nevcairiel | its an easy part to start saving money on |
20:44.56 | Gnarfoz | weirdly enough, many have 2K DIs and then blow it up again afterwards |
20:45.01 | Gnarfoz | which just seems pointless |
20:46.14 | Gnarfoz | https://speyer.technik-museum.de/de/was-ist-imax-dome I should go there once more before they inevitably get rid of it some day |
20:47.32 | nevcairiel | yeah those thingy only work well for special imax productions |
20:47.43 | nevcairiel | which they probably dont do much anymore outside of some documentaries |
20:49.52 | nevcairiel | imax never really became all that popular in germany anyway, which is why we only have very few of them |
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20:57.54 | Gnarfoz | I wonder how this looks https://en.wikipedia.org/wiki/Dolby_3D |
20:58.07 | Gnarfoz | compared to the ubiquitous polarization filter techniques |
20:59.30 | nevcairiel | they use color filters? how old school =p |
21:02.49 | nevcairiel | all cinema 3d concepts have the same problem however, the movies are filmed for one convergence point in the cinema, usually right in the middle, and if you sit anywhere else stuff starts to blur around the edges |
21:03.01 | Gnarfoz | also, brightness |
21:03.21 | Gnarfoz | but yeah, convergence problems is what annoys me most when seeing a 3d movie |
21:03.40 | nevcairiel | its usually most obvious on text thats rendered on a very high plane |
21:04.03 | Gnarfoz | stars in space movies :( |
21:04.09 | nevcairiel | also because text has hard edges |
21:04.11 | nevcairiel | those too |
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